As Matthew C. Mousley
said, "digital piracy is clearly a constant menace to the entertainment
industry."[1]
According to the International Chamber of Commerce, the movie industry suffered
as much as $160 billion[2] and the recording industry
also made $29 billion in losses worldwide in 2015 due to online piracy.[3] These all show that the copyright
owners of such artistic works should be protected by successful digital
antipiracy measures against illegal downloading and peer-to-peer file sharing.[4] Accordingly, this paper
aims to discuss the potential solution to adequately combat online piracy, its effectiveness,
fairness, and the comparison with the available domestic measures.
Before
proceeding to the proposed measure, it is noteworthy mentioning what
Azerbaijani legislation currently has in its arsenal to combat piracy.
Unfortunately, “The Law of the Republic of Azerbaijan on Enforcement of the IP
rights and fight against piracy”[5] does not contain any
provision specifically regulating digital piracy and there has not been any
other attempt to adopt specific measures in this regard to the present. Therefore,
we also believe the proposed solution below can also be a good starting point
for digital antipiracy policy of Azerbaijan.
One of the successful
tactics to combat online copyright infringement is the graduated response
method[6] which has been put into
practice in some jurisdictions[7] such as the US,[8] South Korea,[9] and France.[10] This system basically
alerts the users when they illegally engage in file-sharing on the internet.[11] The conventional version
of the graduated response method is comprised of several warnings starting from
educational notification and ending with cutting off user’s internet access.[12] This method has drawn
criticism from a number of organizations[13] and politicians[14] on the concerns of
Internet disconnection,[15] free speech[16] and the erosion of due
process.[17]
Thus, the Author suggests some modifications to be made for the adoption of an
effective and fair solution for the benefit of internet users, copyright
owners, and Internet Service Providers (“ISPs”).
The
modified version of the graduated response method will impose the fee-charging
following the educational warnings. As soon as the copyright owners realize the
illegal content sharing on the Internet, they notify the ISPs which then will issue
consecutive warnings to the infringer. The first warning aims to raise the
user’s awareness of the copyright violation while the second warning informs
the user about the file-sharing fee if he/she continues his/her infringing
activity. In each instance of illegal downloading, the infringer is charged the
graduating fees which can be determined by ISPs in collaboration with the
relevant industries. Most of the collected money is then transferred to the
content owners to compensate for their losses incurred from illegal
downloading. The charged fees will be added to the user’s internet bill and
similar to the appealing contested credit card charge, the users should be
granted the right to appeal their Internet bill before it is due. The relevant
IP offices may also be involved in this process for scrutiny purposes.
This proposed system is
superior to the current version. Firstly, it does not impede upon the users’
freedom of expression by cutting off their internet access which is nowadays
the major way to connect with the world[18] and provides the user the
due process against technical errors. Further, an educative notification mechanism for alleged online infringers
is essential[19]
since many users are often unaware of what they are doing is illegal.[20] This also helps unknowing
consumers avoid larger potential copyright infringement fines.[21]
A graduated response
system also helps copyright holders by avoiding the negativity[22] of initiating a
mass-litigation campaign against the infringer end-users including children,[23] single mothers,[24] and the deceased,[25] as happened in the past.[26] These lawsuits did not
result in considerable compensations to copyright holders,[27] as the litigation costs[28] usually exceeded the
money recovered.[29]
In contrast, the proposed solution ensures passing predetermined fees to
content owners as if their works have been acquired by legal means.
The graduated response
method also brings benefits for ISPs by shielding them against costly lawsuits
brought by content owners as a result of individual copyright infringements by
its users.[30]
It also alleviates ISPs not to fear for their users’ conduct and spy on them
instead of focusing on improvement of their system.[31]
In sum, the above-outlined system is effective because it will charge the infringer a sum
of money for infringement and put proceeds back in the copyright holder's
account to stimulate them to invest their time and energy in creating future
artistic and literary works. Moreover, since it also allocates the
responsibility for copyrighted contents among copyright holders, ISPs and
Internet users, the new version of the graduated response system is, therefore,
a highly fair solution.
[1]
Matthew C. Mousley, Peer-to-Peer Combat: The Entertainment Industry's Arsenal
in its War on Digital Piracy, 48 VILL. L. REV. 667, 695 (2003).
[2]
Igor Slabykh, The New Approaches to Digital Anti-Piracy in the Entertainment
Industry, 19 UIC REV. INTELL. PROP. L. 75 (2019).
[3] Frontier
Economics Ltd., The Economic Impacts of Counterfeiting and Piracy, Int'l
Chamber of Com. 28 (2016), https://cdn.iccwbo.org/content/uploads/sites/3/2017/02/IC
C-BAS CAPFrontier-report-2016.pdf.
[4]
Nelson Granados, How Piracy is Still Hurting the Filmmakers and Artists You
Admire, FORBES (Dec. 3, 2015, 12:08 PM); Zachary Charles Fritts Landy,
'Combatting Online Piracy: A Case Study on Popcorn Time and Revising Available
Remedies to Copyright Holders' (2016) 24(1) Journal of Intellectual Property
Law 221.
[5] Available at
https://www.wipo.int/edocs/lexdocs/laws/en/az/az100en.pdf
[6]Annemarie
Bridy, Is Online Copyright Enforcement Scalable, 13 VND. J. ENT. &TEcH. L.
695, 727 (2011); Alain Strowel, Internet Piracy: as a Wake-up Call for
Copyright Law Makers-Is the "Graduated Response" a Good Reply?, I
WIPO J. 75, 77-80 (2009).
[7]
Jeremy de Beer & Christopher D. Clemmer, Global Trends in Online Copyright
Enforcement: A Non-Neutral Role for Network Intermediaries?, 49 JURIMETRICS J.
375 (2009).
[8]Anthony
Cuthbertson, Proxy Websites for Pirate Bay, Kickass Torrents and more disappear
in ProxyHouse Blitz, INT'L BUS. TIM's (Oct. 13, 2015, 12:08 BST); Nate
Anderson, RIAA Graduated Response Plan: Q&A with Cary Sherman, ARs
TECHNICA, Dec. 21, 2008, http://arstechnica.com/old/content/2008/12/riaa-graduated-responseplan-qa-with-cary-sherman.ars;
Steve Knopper, RIAA's Gaze Turns from Users to ISPs in Piracy Fight, ROLLING
STONE, Dec. 19, 2008, http://www.rollingstone.com/music/news/14844/94542.
[9]
Giblin, Rebecca. "Evaluating Graduated Response." Korea University
Law Review, 18, 2015, p. 108.
[10]
Peter K. Yu, "The Graduated Response," Florida Law Review 62, no. 5
(January 2010): 1376.
[11]
Alain Strowel, Internet Piracy as a Wake-up Call for Copyright Law Makers-Is
the "Graduated Response" a Good Reply?, I WIPO J. 75, 77-80 (2009).
[12]Peter
K. Yu, The Graduated Response, 62 FLA. L. REV. 1374 (2010).
[13]
David Meyer, Europe 'Will Not Accept' Three Strikes in ACTA Treaty, ZDNET, Feb.
26, 2010, http://news.zdnet.co.uk/communications/0,1000000085,40057434,00.htm;
Peter K. Yu, Six Secret (and Now Open) Fears of ACTA, 64 SMU L. REv.
(forthcoming 2011), available at http://ssm.com/abstract-1624813
; Scott M. Fulton, III, Strongest Condemnation Yet of Anti-Counterfeiting,
'Three Strikes' from EU, BETANEWs, Mar. 10, 2010,
http://www.betanews.com/article/Strongest-condemnation-yet-of-anticounterfeiting-three-strikes-from-EU/1268242864;
Michael Geist, Joint European Parliament ACTA Transparency Resolution Tabled,
http://www.michaelgeist.ca/content/view/4848/ 125/ (Mar. 9, 2010) (providing
the draft resolution that states that "in order to respect fundamental
rights such as freedom of expression and the right to privacy, with full respect
for subsidiarity, the proposed Agreement must refrain from imposing any so
called 'three strikes' procedures, in full respect of the decision of
Parliament on article 1. 1b in the (amending) Directive 2009/140/EC that calls
to insert a new para 3 a to article 1 Directive 2002/21/EC on the matter of
'three strikes"').
[14]
Opinion of the European Data Protection Supervisor on the Current Negotiations
by the European Union of an Anti-Counterfeiting Trade Agreement (ACTA), 2010
0.J. (C 147) 1, 3.
[15]
Alain Strowel, Internet Piracy as a Wake-up Callfor Copyright Law Makers-Is the
"Graduated Response" a Good Reply?, I WIPO J. 75, 85 (2009).
[16] Commerce
& Econ. Dev. Bureau, H.K. Special Admin. Region Government, Proposals For
Strengthening Copyright Protection In The Digital Environment 6 (2009) P.5.
[17]
Annemarie Bridy, Is Online Copyright Enforcement Scalable? , 13 VND. J. ENT.
& TEcH. L. at 730 (2011) (citing Letter from James W Cicconi, AT&T
executive, to Victoria Espinel (March 24, 2010)); Peter K Yu, 'The Graduated
Response' (2010) 62(5) Florida Law Review 1399.
[18] William
Patry, Moral Panics and The Copyright Wars 14 (2004); Christopher Mitchell,
Comcast: Internet Access is Temporarily a Civil Right, HUIFINGTON POST (Aug. 9,
2011), http:// www.huffingtonpost.com/christopher-mitchell/comcast-internetaccess-i
b 921608.html.
Reno v. ACLU, 929 F.
Supp. 824, 883 (E.D. Pa. 1996), af'd, 521 U.S. 844 (1997).
[19]
Alain Strowel, Internet Piracy as a Wake-up Callfor Copyright Law Makers-Is the
"Graduated Response" a Good Reply?, I WIPO J. 75, at 86 (2009).
(highlighting "the educational effect of the warnings").
[20]Belleville,
Mike. "IP Wars: SOPA, PIPA, and the Fight over Online Piracy." Temple
International & Comparative Law Journal, vol. 26, no. 2, Fall 2012, p. 305;
Annemarie Bridy, Graduated Response and the Turn to Private Ordering in Online
Copyright Enforcement, 89 OR. L. REv. available at
http://ssm.com/abstract-id=1565038 (manuscript at 4).
[21]Brett
Schiff, Copyright Alert System: Six-Strikes and Forced Arbitration Might Not Be
the Answer, 16 CARDOZOJ. Confller RESOL 909, 922 (2015).
[22]
Steve Knopper, RIAA's Gaze Turns from Users to ISPs in Piracy Fight, ROLLING
STONE, Dec. 19, 2008, http://www.rollingstone.com/music/news/14844/94542.
[23]
Matthew Sag, Piracy: Twelve Year-Olds, Grandmothers, And Other Good Targets For
The Recording Industry's File Sharing Litigation, 4 Nw. J. TECH. & INTELL.
PROP. 133, 133 (2006); Steve Ragan, RIAA Sues Hospitalized Girl-Court Issues
Default Judgment, TECH. HERALD, Dec. 9 2008,
http://www.thetechherald.com/article.php/200850/2592/RIAA-sueshospitalized-girl-court-issues-default-judgment.
[24]
Anders Bylund, RLAA Sues Computer-Less Family, 234 Others, for File Sharing,
ARS TECHNICA (Apr. 24, 2006).
[25]
WILLIAM PATRY, MORAL PANICS AND THE COPYRIGHT WARs 14 (2009); Howell Llewellyn,
'Three-Strikes' Off Anti-Piracy Agenda in Spain, BILLBOARD.BIZ, June 22, 2009,
p.13 http://www.billboard.biz/bbbiz/content display/industry/e3i8071
e0d9c25cb6b876d377 lfb7e3dl02; Andrew Orlowski, RIAA Sues the Dead, THE
REGISTER, Feb. 5, 2005, http://www.theregister.co.uk/2005/02/05/riaasuesthe-dead/.
[26]
Brett Schiff, Copyright Alert System: Six-Strikes and Forced Arbitration Might
Not Be the Answer, 16 CARDOZOJ. CONFLler RESOL 909, 922 (2015); Serbin,
Danielle. "The Graduated Response: Digital Guillotine or a Reasonable Plan
for Combating Online Piracy." Intellectual Property Brief, vol. 3, no. 3,
August 13, 2012, p. [vii]-52; Sarah McBride & Ethan Smith, Music Industry
to Abandon Moss Suits, WALL STREET J. (Dec. 19, 2008); Peter K. Yu, The
Escalating Copyright Wars, 32 HOFSTRA L. REV. 907, 910-23 (2004); Peter K. Yu,
P2P and the Future of Private Copying, 76 U. COLO. L. REV. 653, 658-98 (2005); Peter
K. Yu, The Copyright Divide, 25 CARDOzo L. REv. 331, 387-401 (2003);
[27]
Lital Helman, When Your Recording Ageny Turns into an Agency Problem: The True
Nature of the Peer-to-Peer Debate, 50 IDEA 49, 65 (2009); Rosie Swash,
Filesharer Joel Tenenbaum Has Fine Reduced by 90%, GUARDIAN (London), July 12,
2010, http://www.guardian.co.uk/music/ 2010/jul/12/filesharer-joel-tenenbaum.
[28]
Olivier Bomsel, The Costs and Benefits of Graduated Response in Copyright
Enforcement,
http://www.barrysookman.com/2010/02/01/the-costs-and-benefits-of-graduatedresponse-in-copyright-enforcement/
(Feb. 1, 2010); Olivier Bomsel & Heritiana Ranaivoson, Decreasing Copyright
Enforcement Costs: The Scope of a Graduated Response, REV. EcoN. RES. ON
COPYRIGHT ISSUES, Dec. 2009, at 13,27.
[29]
Mike Masnick, RJAA Spent $17 6M4illion In Laouuits... To Get $391,000 In
Settlements, TEcHDIRT (Jul. 14, 2010, 09:44 AM), http://www.techdirt.com/
articles/20100713/17400810200.shtml.
Greg Sandoval, A Year
Out, Where's RIAA's Promised ISP Help?, CNETNEWS, Dec. 23, 2009,
http://news.cnet.com/8301-31001_3-10420803-261.html.
[30]
Alfred C. Yen, Internet Service Provider Liability for Subscriber Copyright
Infringement, Enterprise Liability, and the First Amendment, 88 GEO. L.J. 1833,
1887-88 (2000).
[31]
Yu, Peter K. "The Graduated Response." Florida Law Review, vol. 62,
no. 5, January 2010 , p. 1384.
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